Joe Lui - Playwright, Lighting Designer and Sound Designer
Joe Paradise Lui is a submerging artist and undisputed winner of the 2013 Spirit of the Fringe Fringeworld award. Joe Lui is a founding member of Renegade Productions. Within its aegis he creates, writes, directs, designs and composes theatre and performance works. Their most recent work was Death Throes, created as part of the 2019 blue Room season.
Joe Lui is also a part of the professional and independent theatre industry in Perth as a director, writer, and a sound and lighting designer. His most recent directing. work was Unsung Heroes, which was presented online as part of Black Swan State Theatre Company’s 2020 season. His most recent design work was The Sum of Us by Yirra Yaakin Theatre Company as part of Perth Festival.
Marcel Dorney - Director / Co- Artistic Director of ER
An award winning playwright and director, Marcel Dorney's work has been commissioned, developed and produced by QTC, Malthouse Theatre, Merrigong Theatre Company, Hothouse Theatre, La Boite, Griffin Theatre, Red Stitch Actors’ Theatre, Brisbane Powerhouse, Artslink, and the Next Wave Festival, and published by Playlab Press. He has been an affiliate writer with QTC, La Boite, and Griffin Theatre, and received a Lord Mayor’s Fellowship to study in St Petersburg, Russia. He holds a Masters in Performance Creation from the University of Melbourne.
Marcel’s play Fractions (QTC/HotHouse) received the 2010 Queensland Premier’s Drama Award. Elbow Room‘s fifteen original works since 2008 include We Get It (Melbourne Theatre Company‘s NEON Festival, 2015), Prehistoric (Brisbane Festival 2014), and After All This (Brisbane Festival 2011). His awards include: Best Director and Best Ensemble (Ind.), 2011 Green Room Awards (After All This); 2012 Gold Matilda (Fractions); Best Writing, 2014 Green Room Awards, (Prehistoric). Both After All This (2011) and Prehistoric (2014) were awarded Best Performance by Melbourne Fringe Festival. Screen credits include Arenamedia’s version of Tim Winton’s ‘Cockleshell’ in the anthology The Turning, directed by Tony Ayres for Matchbox Pictures.
Emily Tomlins - Performer/ Co-Artistic Director of Elbow Room
Emily is co-founder of the award winning independent theatre company Elbow Room. Her theatre credits as Collaborator and Performer include We Get It (Elbow Room/ MTC Neon), What I’m Here For, Niche, The Motion of Light in Water, Now More Than Ever, Fewer Emergencies, As We Mean To Go On, Rule of Three, After All This, a tiny chorus and There and Here (Elbow Room), My Sister Feather and I Sat and Waited but You Were Gone Too Long (Voice in my Hands), The Cabin (JOF/Speakeasy), Contest and Dream Home (Collyer/Speakeasy), Tangle, We Built This City, Trailblazer, Drawbridge, Ants, Separation Street, Cerita Anak, Paper Planet (Polyglot), Kindness (Flight Festival/Theatreworks), The One (Fire Curtain Co), M+M (Daniel Schlusser Ensemble), Arden V Arden (The Hayloft Project), The Plague Dances (Four Larks/Malthouse), Edward Gant’s Amazing Feats of Loneliness (Sydney Theatre Company/ La Boite), Cyrano de Bergerac (Sydney Theatre Company), Hamlet (South Australian State Theatre Company/ Queensland Theatre Company), Constance Drinkwater and the Final Days of Somerset, Puss in Boots, The Woman Before, Far Away (Queensland Theatre Company), Actors at Work (Bell Shakespeare), Julius Caesar, Operator, Creche & Burn, Urban Dingoes (La Boite Theatre).
Her theatre credits as Director include: Bees and Light Pickers (Polyglot Theatre), Won’t She Get Lonely (Musica Viva), and co-director for We Get It (Elbow Room).
Film and TV credits include: Winners and Losers, Dr Blake Mysteries, The Underdog’s Tale and the award winning Dumpy Goes to the Big Smoke.
Emily was the recipient of the 2005 MEAA/ Matilda Award for Best Emerging Artist and was part of the Queensland Theatre Company’s Emerging Artist Ensemble in 2006. As Performer and Collaborator she received the Melbourne Fringe Festival Adelaide Fringe Touring Award for There (2008), Melbourne Fringe Festival People's Choice Award for a tiny chorus (2010), Melbourne Fringe Festival Best Performance and Green Room Independent Theatre Best Ensemble for After All This (2011) and M+M (2013). Emily was nominated for a Green Room Award for Best Female Actor for her body of work (2013) and for Dream Home (2015). In 2017 Emily was awarded a Sidney Myer Fellowship.
John Marc Desengano - Performer
Upon graduating from The University of Ballarat, Arts Academy in 2008, John Marc performed for a Theatre in Education Company called Brainstorm Productions taking thought provoking shows to primary and high schools all over Australia.
Since 2011, he has worked with theatre company, 15 Minutes from Anywhere, and developed a show called The Yellow Wave. The show was part of the inaugural year of The Poppy Seed festival and was nominated for a Green Room Award for most outstanding ensemble in 2015.
John Marc’s stage credits include: The Yellow Wave, Coloured Aliens, The Dead Twin (George Town Festival 2017), The Bachelor S17 E05, Survival, RUR 2020, Just A Boy Standing in Front of a Girl, A Midnight Visit and many more.
He is a proud company member of Impro Melbourne and Soothplayers: Completely Improvised Shakespeare.
John Marc has combined his passion for the arts with his passion for young people by working as an artist with Youth Theatre companies such as Polyglot Theatre, St. Martin’s Youth Arts and Western Edge Youth Arts.
Conor Gallacher - Performer
Conor Gallacher is a Melbourne based actor, voice artist, writer, musician, and emcee.
His stage credits include multiple productions, with or at, the Melbourne Theatre Company, The Malthouse Theatre, MKA, Powerhouse Theatre (BRIS), Geelong Performing Arts, La Mama, Darebin Arts Speakeasy as well as many other interstate and rural performance venues.
He has appeared on the ABC and Channel 7. He has also appeared in several web series, some of which are internationally award winning.
As a voice over artist he has worked with Lexus, Holden, 7/11, Simmonds homes, Jim’s Mowing and many others.
Alice Qin - Performer
Alice Qin is a Melbourne based actor, theatremaker, educator, and occasional Dinosaur puppeteer (Erth Visual Physical/Melbourne Zoo 2019). She was the associate director on Golden Shield (MTC 2019) and she was a participant in the MTC CAAP directing initiative. Her Australian acting credits include Mad As A Cute Snake (Theatre Works 2019), Atomic (Malthouse Theatre 2018/2019), Little Emperors (Malthouse Theatre 2017). She was previously based in New York, where she worked as an actor and an associate physical acting teacher at the Stella Adler Studio New York under the tutelage of Joan Evans. Theatre credits in New York include Is It already Dusk? (Herald Clurman Ensemble/Irondale Theatre, New York 2013). Romeo and Juliet/Richard II/Love’s Labour’s Lost (Hamlet Isn’t Dead 2015). She is a current teaching artist at St. Martins Youth Arts Centre, and House of Muchness.
Merlynn Tong - Performer
Merlynn Tong is an Actor and Playwright. Some of her recent performances include White Pearl (Sydney Theatre Company & National Theatre of Parramatta), The Shot (Queensland Theatre, The Scene Project), Harrow 2 (ABC), Reef Break (ABC/M6), Top of the Lake: China Girl (BBC & Sundance Films, Jane Campion), What I’m Here For (Elbow Room & Flowstate), The Mathematics of Longing (La Boite Theatre), The Lost Lending Library (Punchdrunk & Imaginary Theatre), Hotelling (Bleached Arts), Bitch: Origin of the Female Species (Brisbane Festival), Blue Bones (Playlab Productions), Viral (Shock Therapy Productions), Straight White Men (La Boite Theatre), Ma Ma Ma Mad (Wax Lyrical), The Theory of Everything (Brisbane Festival), The Wizards from Oz (Taiwan, Taoyuan International Children’s Festival) and Hot Brown Honey (Judith Wright Centre).
Some of her playwriting credits include Golden Blood (Melbourne Theatre Company/ Griffin Theatre Company), Antigone (adaptation, Queensland Theatre), Good Grief (Queensland Theatre), The Big Mac (co-writer, development, Black Swan Theatre Company), Come to Where I am (Critical Stages Touring/ Paines Plough Theatre Company, UK), SITE (co-writer, development, Kate Wild, Ellen van Neerven & Sarah Winter), SKIN (Dear Australia, Playwriting Australia), Cocky Jerry Jah (co-librettist, development), Ma Ma Ma Mad (Wax Lyrical) and Blue Bones (Playlab Productions).
Her one-woman-show, Blue Bones, that she also performed in, has won 6 Matilda Awards including the Lord Mayor Award for Best New Australian Work, Best Mainstage Production and Best Female Actor in a Leading Role. She is also the prize recipient of Screen Queensland’s Screen to Stage pitch, The First 10 Pages 2.0.
Cherish Marrington - Production Designer (set & costume)
Cherish Marrington is a visual artist and designer for the Theatre, graduating from the West Australian Academy of Performing Arts in 2013. Prior to her design studies as a Fine Arts graduate (Central Institute of Technology), she gained a strong public presence for her fineline ink drawings exploring the “ugly-beautiful” – an exploration of hybrid characters, theatrically placed within a surrealist universe.
Marrington regularly collaborates with artists of kindred spirit across Theatre and Film designing costume and sets for live productions (I Am My Own Wife with Black Swan Theatre Company), Australian short & feature films, many music videos, exhibiting of her own work nationally, and curating and hosting exhibitions of local talent through her Fine Art printing company, Chinoiserie Fine Art.
Badiucao - llustrator/Animator
Badiucao is one of the most popular and prolific political artist from China, and he confronts a variety of social and political issues head on in his work. He got a nickname as China's Banksy due to keeping his identity secret since the beginning of his art career. He uses his art to challenge the censorship and dictatorship in China via social media. His work was used by Amnesty International, Freedom House, BBC, CNN and China Digital Times and exhibited in Australia America and Italy.
Hardik Mehta - Production & AV assistant/surtitle operator
Even though he holds a Masters in IT, Hardik has always had an interest in performing arts. An amateur actor, he has been a part of a few plays on RMIT’s Fringe Festival; Snatches. He has also appeared in a small segment on a Channel 10 show. This will be his first time as a part of the crew instead of the cast. An avid reader, he is also currently in the process of writing his first fiction.
Rose Pidd - Production Manager
Rose began her career studying drama in Melbourne, discovering theatre and festivals along the way. She was production co-ordinator for MONA FOMA and has production managed at Dark MOFO, Panama Festival, Festival of Voices, Hamilton Gardens Arts Festival (NZ), and too many small festivals to count since. She programmed Marion Bay Village Festival for 3 years. She is currently assistant director for Beaker Street Festival, having worked her way up from production consultant. She has worked with Tasmania Performs, Darebin Arts, Loud Mouth Theatre,Polyglot Theatre, Shaken and Suspicious, Blue Cow Theatre, Ranters Theatre, Terrapin,Tasmanian Theatre Company and various pieces at La Mama Theatre, The Backspace, The Peacock Theatre, The Theatre Royal and many pop up venues across Australia and the world.
Samad Shiraz- Assistant Director
Samad Shiraz is an amateur actor, writer and director from Sri Lanka. He began his life on stage at 13 playing Oberon inA Midsummer Night’s Dreamand it all just took off from there. Since moving to Australia, he has been involved in a number of shows centered around communities within Melbourne. He has also worked as a director on RMIT’s Fringe Festival offeringSnatches(2019-20), and played Dr. Eugene Sorn inStupid F*cking Bird(2019). Samad is currently a student at RMIT.
Jamie Lewis - Cultural Consultant
Jamie Lewis is a Singaporean-Australian artist, curator, dramaturg and facilitator; and is currently the Executive Director at Next Wave. She creates experimental and contemporary intercultural work, facilitating participatory experiences on identity, place, and time, often through autobiographical stories, conversation and food.
She creates and curates site-responsive performances that engage audiences as participants, and communities as artists. Committed to diversifying practice, Jamie seeks alternative models in her work and a re-imagining of leadership, governance, and structures.
Previous roles include Program Manager at Theatre Network Australia and Audience Development Manager at Metro Arts. Jamie was in the 2018 cohort of Australia Council for the Arts’ Future Leaders program and was on the Board of Multicultural Arts Victoria.
Finn Carter - Stage Manager
Finn Carter is a theatre and festival freelancer from Hobart, who, over the last seven years has worked on a very wide array of theatre productions and performing arts projects. He is an award nominated director for The Theory of Relativity (Leiz Moore and Allan Jeffrey) and Spring Awakening (Old Nick Theatre Company) and has been involved in a variety of shows over years as a stage manager, production manager, director, performer or audio designer. Some of these include Wicked (Show Company Tas), Thoroughly Modern Millie, Into The Woods (Musical Theatre Crew), Catch Me If You Can, Pippin, Bring it On, The Golden Age, Cloudstreet, The Nest (Hobart College), The Wedding Singer (Old Nick Theatre Company). More recently Finn has worked as a stage manager and venue manager for Falls Festival, Party in the Paddock, The Underground Art Bar, The Unconformity, Cygnet Folk Festival, Burning Desire, Spiegeltent and Mona Foma.
Adelaide Fisher - Enlightenment Producer
Adelaide Fisher is a creative producer whose practice is deeply driven by values of diversity, accessibility and sustainability in artmaking. She has produced art events, experiences, festivals and programs for RMIT University, City of Darebin, Fed Square, Regional Arts Victoria, the Emerging Writers Festival and more. Her independent theatre collaborations include producing sold out immersive theatre experience The Lizard is Present at Melbourne Fringe and a twelve hour production of The Odyssey with Stork Theatre. Adelaide created and co-directed a community arts festival called Happenstance which was created with a strong focus on artistic development for emerging artists and prioritising access, diversity and sustainability at every stage of production. Adelaide Has completed a Bachelor of Creative Arts with Honours and a Master of Arts (Arts Management) and is currently studying Youth Work at RMIT.